Now I have a child and another on the way I’m wondering what it would take to write a children’s story. I guess I’m talking about a book aimed at eight to ten year olds. It seems pathetically simple to write one of those “see spot run, run spot run” type of books. I feel it is significantly more difficult to write a book that a primary school kid would enjoy.
I don’t want to write a condescending book nor a book that introduces concepts alien to a child’s world. For example the ideas behind money and banking are a little abstract for even educated adults to grasp let alone an eight year old. I also doubt any kind of sexuality based concepts would strike a chord and complex emotional themes that lead toward cathartic drug use or self harm might be a bit much as well. So what does that leave? I think it leaves a great many things. For example loneliness, friendship and the joy of belonging. Ownership issues are wide open though just not the finer political points. I also don’t think you can be too subtle. It might be a bit much for a youngster to come to grasp with much subtext.
For a story to be understood it must be written in the language of the target audience. That means picking a vocabulary and grammar approachable by a fifth grader. While at that age I’d imagine they understand pretty much all the words you’d want to use, they may not pick up on some of the more technical aspects of grammar. While considering that I think I’d also want to make sure I challenge them every now and then; I don’t want to patronise them.
When writing for a young reader you have a responsibility to not frighten or disturb them. I remember I watched a bit of the movie An American Werewolf in London when I was seven and it scared the crap out of me. I had nightmares for years after. I don’t know when it happened, but at some point, I became immune to imagery based fear and suspense. My wife refuses to watch horror movies because she simply can’t bare the suspense. I don’t see what the fuss is. A monster jumps out and rips a character in two and it doesn’t seem to bother me; I’m more interested in how realistic the effects are.
I had an idea for a child’s book. It was that a young boy was born into a special family (aren’t they all?). It is a family of half dragons. Somewhere in the family’s past they descended from some legendary dragon who chose to live as a human. The special thing about this boy is that he has no dragon ability at all. Everyone else in his family can breathe fire, shape change a little, speak with lizards and are unaffected by fire and heat. This boy is perfectly human in all respects. Obviously this makes him the black sheep. He even has to go to a normal human school so he won’t be picked on. Well it so happens that his family, and the other half dragons, start to get sick. He is the only one to escape the terrible flu that has put his family and family friends in bed, unable to get up. He has to rise up and find a cure before his family all revert to simple lizards. I haven’t though much more than this, but I like the twist that he is special because he is the only normal one. Being normal of course means he doesn’t get the dragon flu but it also makes it that much harder for him to find the cure.
Maybe I’ll flesh this idea out a little.